Kay Meek & West Vancouver Community Arts Council Presentation
PARC Retirement Living Atrium
Exhibition Hours: Monday-Friday from 10am-4pm and during evening and weekend performances.

Our world is full of colour & colour is full of diverse meanings & interpretations. We associate certain colours with certain moods or ideas. The artwork in Chromatic Connections invites us to enjoy dazzling riots of colour & dynamic monotone studies, all while interpreting what each tone & shade means to the artist & to us.

Adriele Au is a multidisciplinary artist whose work is a hybrid of painting, drawing & sculpture using mixed media & repurposed objects which address the themes of emotions, home, time & nostalgia. Reflecting the value of connection with community, family & friends, her Puddluv series references play & celebration. Au’s works, made from party streamers & birchwood panels, utilize colour to evoke welcoming, cheerful emotions & to illustrate diversity in all walks of life. The synergistic meanings of connection & celebration are on display as brightly coloured irregular shapes dance & swirl into each other, like joyful memories or people coming together for singular purpose.

Paul Gravett is an abstract photo based artist whose experimental work explores the intersections of photography & contemporary art. The works in his Colour Study series originate with photographs of papers & films in a particular colour family or relationship, layered on a stack of glass shelves. Each layer is photographed in focus as the others fall outside of the field of focus. The images are layered & blended to create vivid yet soft abstractions that reference contemporary art, including pointillism, colour fields, collage, & textures. Gravett’s experimental technique remains true to the original photographs as nothing is added or subtracted in the process – everything that makes up the final image originates from the original set of photographs.

Artists Talk Livestream

Wed. Sept. 25, 7 pm

Join us for a livestream conversation with the artists as they share insights into their artistic processes, inspirations, take a tour of the exhibition & answer questions from viewers like you.

A Kay Meek Amplify Presentation
Grosvenor Theatre

Though raised in Artemisa, an hour outside of Havana, Alex Cuba’s artistry is as far-flung as the place he has settled and lived for over fifteen years: Smithers, BC, 14 hours north of Vancouver. His music at once incorporates his roots and is a unique amalgam of styles, having collaborated with artists ranging from Jason Mraz to Ron Sexsmith and Nelly Furtado; and bringing together melodies, popsoul hooks and rock chords in songs that may seem to bear little resemblance to traditional Cuban form.

A forward-thinking, indie-minded artist, Alex has amassed a steadily growing following among critics and fans. With over 20 awards and nominations to his name, including 4 Latin Grammys and two Junos Awards and three Grammy nominations. Alex carries his Cuba within, incorporating subtle jazz influences, gained from his early years as a bass player in Cuba, and tasteful, sophisticated chords and lyrics expressing his poetry in an undeniably Cuban way. His growing body of work defines a unique musical place in the Latin diaspora.

Building on the 2017 Grammy nominated release Lo Unico Constante with its back to roots introspection, his new collection of songs will be released in September 2019, including 6 featuring’s with Latin American singers and songwriters. Alex joined with Toronto based engineer, John Bailey to record in Gibson’s BC at The Farm Studio. A decision to record all the instruments came to Alex Cuba years ago when the making demos for new songs and wanting to share that undeniable personal sound. A series of singles will be released leading up the album release, the first on February 22nd, titled, Yo No Sé. Followed by Dividido, the first duet to be released featuring Silvana Estrada on March 22nd.

Links to more info on Alex Cuba –

www.alexcuba.com

www.instagram.com/iamalexcuba

www.youtube.com/123alexcuba

www.twitter.com/alexcuba

www.facebook.com/alexcubamusic

For accessible seating please contact our box office by phone at 604.981.6335

Grosvenor Theatre

For tickets, please call: 604.760.8015 or 604.440.9300

A Kay Meek Speaker Presentation
Speaker: Michael van den Bos
McEwen Theatre

Fred Astaire—the greatest of all movie dancers—takes the spotlight in this show presented by classic film scholar and frequent Kay Meek speaker MICHAEL VAN DEN BOS. Illustrated with a rich bounty of film clips, Michael explores the distinctive diversity and invigorating inventiveness of Fred Astaire’s considerable dance work in classic Hollywood movies. Also highlighted is Astaire as a vocalist, favoured by many famous songwriters of his era as the best interpreter of their tunes, who introduced more songs that became standards than any other 20th-century musical performer. So, what do you say . . . shall we dance?

For accessible seating please contact our box office by phone at 604.981.6335

Presented by: Be Ceremonial, New Narrative Events, DeathcareBC, Death’s Apprentice
Grosvenor Theatre
Doors: 6:00pm
Show: 7:00pm

Join us for ‘the talk’ you likely never had growing up.

It’s never too early to talk about death – and the good news is that it isn’t a one-time chat that you have to get exactly right. It’s a conversation that will evolve and change with you, and we’re here to get you started.

Over the course of the evening, we will share stories, dispel myths, and inspire you to think and talk about death and dying in a not-so-scary way. We will talk through all the tasks you’ll be faced with when someone you love dies, and we’ll empower you to plan ahead.

For more information, including a schedule of events and speaker bios, visit: https://www.beceremonial.com/the-death-talk/

For accessible seating please contact our box office by phone at 604.981.6335

Presented by Jafelin & Flor de Caña
Grosvenor Theatre
Doors: 7:00pm
Show: 8:00pm

Jafelin & Flor de Caña present FLAMENCUBANA!

A lively concert featuring a fusion of Cuban, Spanish and Flamenco Music.

Local (Vancouver) Flamenco star singer Jafelin brings direct from Cuba – Flor de Caña – featuring six of Havana, Cuba’s best musicians to The Kay Meek Theatre.

One performance only! Early bird tickets available until Sept. 15th

Please note this event has General Admission seating. For accessible seating requests, please contact our box office by phone at 604.981.6335

Presented by Gala Events Inc.
Grosvenor Theatre
Doors: 6:30pm
Show: 7:30pm

Featuring ADNAN KARIM

Kurdish/persian Songs and Music

For accessible seating please contact our box office by phone at 604.981.6335

Kay Meek & West Vancouver Community Arts Council Presentation
PARC Retirement Living Atrium
Exhibition Hours: Monday-Friday from 10am-4pm and during evening and weekend performances.

Our world is full of colour & colour is full of diverse meanings & interpretations. We associate certain colours with certain moods or ideas. The artwork in Chromatic Connections invites us to enjoy dazzling riots of colour & dynamic monotone studies, all while interpreting what each tone & shade means to the artist & to us.

Adriele Au is a multidisciplinary artist whose work is a hybrid of painting, drawing & sculpture using mixed media & repurposed objects which address the themes of emotions, home, time & nostalgia. Reflecting the value of connection with community, family & friends, her Puddluv series references play & celebration. Au’s works, made from party streamers & birchwood panels, utilize colour to evoke welcoming, cheerful emotions & to illustrate diversity in all walks of life. The synergistic meanings of connection & celebration are on display as brightly coloured irregular shapes dance & swirl into each other, like joyful memories or people coming together for singular purpose.

Paul Gravett is an abstract photo based artist whose experimental work explores the intersections of photography & contemporary art. The works in his Colour Study series originate with photographs of papers & films in a particular colour family or relationship, layered on a stack of glass shelves. Each layer is photographed in focus as the others fall outside of the field of focus. The images are layered & blended to create vivid yet soft abstractions that reference contemporary art, including pointillism, colour fields, collage, & textures. Gravett’s experimental technique remains true to the original photographs as nothing is added or subtracted in the process – everything that makes up the final image originates from the original set of photographs.

Artists Talk Livestream

Wed. Sept. 25, 7 pm

Join us for a livestream conversation with the artists as they share insights into their artistic processes, inspirations, take a tour of the exhibition & answer questions from viewers like you.

Presented by Rock.It Boy Entertainment
Grosvenor Theatre

Very few artists are more legendary than Prince.  When he left us in 2016, millions mourned his untimely passing.  However, this iconic multi-instrumental musical savant will never be forgotten.  His inimitable musical styling, stage presence and undeniable genius remain imprinted upon hearts and minds.  Prince’s hits smashed the Billboard Charts and created memories for generations.

Whether you are a long-time fan or newly acquainted with his catalogue PRINCE AGAIN: A TRIBUTE TO PRINCE is your must-see performance.  This spot-on tribute delivers such unforgettable hits as “Little Red Corvette”, “1999”, “Kiss”, “Cream”, “Diamonds & Pearls”, “I Wanna Be Your Lover” and the hallmark “Purple Rain”.

PRINCE AGAIN: A TRIBUTE TO PRINCE pays homage to the legend, busting out all his top numbers with perfect dance moves and stagecraft.  So, don your “Raspberry Beret” and get ready to party, revisiting memories and making new ones as this tribute re-creates the sensational spectacle that was PRINCE!

For more about PRINCE AGAIN: A TRIBUTE TO PRINCE visit princeagain.com.

A Kay Meek Play Presentation and Arts Club on Tour Production
Grosvenor Theatre

RIB-TICKLING REALIZATIONS ABOUT LIFE AND LOVE

Sarah, a turkey farmer, has split up with her husband and moved in with her mom, Gail, a beekeeper. Add in Earl, the flirty neighbour, and Ben, an eager young graduate student, and you have the perfect breeding ground for unlikely attractions. Set in adjoining bedrooms, The Birds & the Bees is a Canadian comedy about love, lust, beekeeping, and the artificial insemination of turkeys.

“What could be better therapy than an old-fashioned, knee-slapping, rip-roaring sex comedy?”

—The Vancouver Sun

ARTISTIC TEAM AND CAST TO BE ANNOUNCED

Contains mature themes, strong language, sexual content, and nudity. Programming, dates, and creative team subject to change.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play Presentation and Arts Club on Tour Production
Grosvenor Theatre

RIB-TICKLING REALIZATIONS ABOUT LIFE AND LOVE

Sarah, a turkey farmer, has split up with her husband and moved in with her mom, Gail, a beekeeper. Add in Earl, the flirty neighbour, and Ben, an eager young graduate student, and you have the perfect breeding ground for unlikely attractions. Set in adjoining bedrooms, The Birds & the Bees is a Canadian comedy about love, lust, beekeeping, and the artificial insemination of turkeys.

“What could be better therapy than an old-fashioned, knee-slapping, rip-roaring sex comedy?”

—The Vancouver Sun

ARTISTIC TEAM AND CAST TO BE ANNOUNCED

Contains mature themes, strong language, sexual content, and nudity. Programming, dates, and creative team subject to change.

For accessible seating please contact our box office by phone at 604.981.6335

Presented by Every Day Counts Program
Grosvenor Theatre
Doors: 6:00pm
Show: 7:00pm

What happens when we truly listen, with compassion and tenderness?

How can you live well in the face of a serious illness?

Join us as we explore these themes and learn about how conversations can support those dealing with life’s final lap.

Please note this event has General Admission seating. For accessible seating requests please contact our box office by phone at 604.981.6335

A Kay Meek and CapU Global Roots Series Co-Presentation
Grosvenor Theatre

Seventh edition of Steve Dawson-led iconic album extravaganza celebrates Bob Dylan’s groundbreaking album

Featuring: Barney Bentall, Jim Byrnes, Joachim Cooder , Maya de Vitry, Ndidi Onukwulu, Dawn Pemberton, Suzie Ungerleider and others

Our annual tradition of rounding up Vancouver’s most talented musicians to re-imagine a classic album continues! This edition of the popular two-night event features the Steve Dawson-led ensemble conjuring the peerless Bob Dylan as he was changing folk music forever with his sixth album Highway 61 Revisited. Recorded around the time of his hugely controversial electric performance at the Newport Folk FestivaI, the album launched a new, cutting-edge “folk-rock” sound complete with compelling lyrics that were light years ahead of anything else on the charts. Hearing the album at John Lennon’s house, Paul McCartney recalls, “it was just beautiful. He showed all of us that it was possible to go a little further.”

Since Dawson considers these performances “re-imaginings” rather than “tributes,” expect to hear such timeless songs as “Like a Rolling Stone,” “Desolation Row,” “Tombstone Blues” and the brilliant title track performed in styles entirely up to the artists’ inspiration.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek and CapU Global Roots Series Co-Presentation
Grosvenor Theatre

Seventh edition of Steve Dawson-led iconic album extravaganza celebrates Bob Dylan’s groundbreaking album

Featuring: Barney Bentall, Jim Byrnes, Joachim Cooder, Maya de Vitry, Ndidi Onukwulu, Dawn Pemberton, Suzie Ungerleider and others

Our annual tradition of rounding up Vancouver’s most talented musicians to re-imagine a classic album continues! This edition of the popular two-night event features the Steve Dawson-led ensemble conjuring the peerless Bob Dylan as he was changing folk music forever with his sixth album Highway 61 Revisited. Recorded around the time of his hugely controversial electric performance at the Newport Folk FestivaI, the album launched a new, cutting-edge “folk-rock” sound complete with compelling lyrics that were light years ahead of anything else on the charts. Hearing the album at John Lennon’s house, Paul McCartney recalls, “it was just beautiful. He showed all of us that it was possible to go a little further.”

Since Dawson considers these performances “re-imaginings” rather than “tributes,” expect to hear such timeless songs as “Like a Rolling Stone,” “Desolation Row,” “Tombstone Blues” and the brilliant title track performed in styles entirely up to the artists’ inspiration.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Special Presentation
Grosvenor Theatre

Canadian cultural icon, comedienne and social activist MARY WALSH will perform some of her best comedic bits and most popular characters from Dancing With Rage, CODCO and This Hour Has 22 Minutes, along with up-to the-minute local political satire.

Hailing from St. John’s, NL, Mary Walsh was an original member of the infamous CODCO sketch comedy series, which ran on CBC Television from 1987 to 1992. In 1992, she began to work with Rick Mercer, creating and starring in the highly acclaimed series This Hour Has 22 Minutes, where Mary’s Warrior Princess character Marg Delahunty became famous for ambushing politicians and submitting them to satirical interviews. In 2011 she reprised the role of Marg Delahunty, conducting the now infamous ambush interview of Toronto Mayor Rob Ford at his home. Mary Walsh is the recipient of 25 Gemini awards, the Order of Canada award and in 2012 she received a Governor General’s Performing Arts Awards for Lifetime Artistic Achievement.

For accessible seats, please contact our box office at 604-981-6335

Presented by Completely Creedence Band
Grosvenor Theatre

COMPLETELY CREEDENCE BAND is a dynamic tribute to the iconic American rock band CCR (Creedence Clearwater Revival). This talented group of musicians brings the classic hits and energy of CCR to audiences across the country. With a deep appreciation for the music and a commitment to delivering an authentic performance, Completely Creedence Band captures the essence of CCR’s sound and spirit.

Led by a frontman with a powerful voice and a commanding stage presence, Completely Creedence Band delivers high-energy performances that leave audiences singing along and dancing in the aisles. From “Proud Mary” and “Bad Moon Rising” to “Fortunate Son” and “Have You Ever Seen the Rain,” they faithfully recreate CCR’s greatest hits.

With years of experience and a passion for the music, Completely Creedence Band has become one of the most sought-after tribute acts in Canada. Whether performing at Theatres, festivals, corporate events, or private parties, they always bring the same level of energy and excitement to the stage. For fans of classic rock and CCR, Completely Creedence Band is a must-see act that never fails to deliver an unforgettable performance.

The Band features:

– Jamie Robertson vocals and rhythm guitar

– Todd Smiley on drums and backing vocals

– Murray Atkinson on guitar and backing vocals

– Lance Lapointe on bass guitar and backing vocals

Audiences have marveled about how remarkably similar Robertson’s voice sounds to John Fogerty’s, capturing all the subtle nuances of his vocals. Completely Creedence Band delivers a musical experience where your love of CCR will live on through these four incredible musicians who share your passion of CCR’s music.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Classical Presentation
Grosvenor Theatre

Discover a captivating body of works that go straight to the heart of melody. The highlight of this concert: Max Richter’s masterly recomposition of the Four Seasons by Vivaldi, which takes us to the convergence of past and present. Works by Glass, Nyman, Amar, Eno and Einaudi complete this programme of spellbinding simplicity.

Works featured:

Armand Amar: Castells

• Michael Nyman: The Heart Asks Pleasure First

• Philip Glass: The Hours

• Brian Eno: By This River

• Ludovico Einaudi: I Giorni and Petricor

• Max Richter: The Seasons Recomposed

https://www.triofibonacci.com/english

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Amplify Presentation
Grosvenor Theatre

Five-time Juno Award winner, Jane Bunnett has turned her bands and recordings into showcases for the finest musical talent from Canada, the US, and Cuba. She has been nominated for three Grammy Awards, received The Order of Canada, The Queen’s Diamond Jubilee Medal, and, most recently, The Premier’s Award for Excellence.

With Maqueque, Bunnett has created something new and phenomenal in the world of jazz. What started out five years ago as a project to record and mentor young brilliant Cuban female musicians, has become one of the top groups on the North American jazz scene. Since 2015, they have played in major jazz festivals like Newport and Monterey, been featured on NPR’s program Jazz Night in America, won a Juno Award for their first album, Jane Bunnett and Maqueque, were nominated for a Grammy Award for their second release, Oddara and were nominated for a Juno Award for their latest release, On Firm Ground/Tierra Firme. Most recently, were voted as one the top ten jazz groups by the prestigious DownBeat magazine’s critics poll.

An internationally acclaimed musician, Bunnett is known for her creative integrity, improvisational daring, and courageous artistry. Her exploration of Afro-Cuban melodies expresses the universality of music, and her ability to embrace and showcase the rhythms and culture of Cuba has been ground-breaking. She has toured the world bringing her own special sound to numerous jazz festivals, displaying her versatility as a flutist, saxophone player, and pianist.

Two documentaries have been made about Bunnett’s work: Spirits of Havana by the National Film Board was presented at numerous film festivals internationally, on television (CBC, PBS), and in Europe. A more recent film, Embracing Voices, has been shown at film festivals and is awaiting commercial release.

As an educator, spokesperson, and social activist, JANE remains unafraid to explore uncharted territory in her quest for excellence.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Speaker Presentation in Partnership with the West Vancouver Art Museum
McEwen Theatre

Speaker: Dr. Hilary Letwin

Alistair and Betty Bell lived in West Vancouver from 1941 until his death in 1997. Both were artists and exhibited their work publicly. Alistair’s printmaking career began after enrolling in an etching class at the then Vancouver School of Art in 1935. Alistair was awarded a Canada Council Senior Fellowship award in 1959, and again in 1967, at which time he retired as a draftsman at a major steel fabrication company and devoted himself entirely to printmaking. Betty, a painter, exhibited less regularly than Alistair. Later in her life, she ceased painting and destroyed all of her unsold work. The Bells were friends with many other artistic couples in Vancouver and West Vancouver, including B.C. and Jessie Binning, Gordon and Marion Smith, and Bruno and Molly Lamb Bobak. This talk explores the life and work of Betty and Alistair.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Cabaret Presentation
McEwen Theatre

Toronto-based 2x Juno Award nominee and Soul music power house Tanika Charles has slowly but surely inserted herself as a staple of the genre both at home and abroad. Her music revels in honesty and attitude, her live show is high energy and endearing, and she continues to win audiences over one album, one stream, and one encore at a time. On April 8th, 2022 Tanika released her third album is Papillon de Nuit: The Night Butterfly. Papillon again follows Tanika’s formula of marrying classic soul influences with modern sensibilities and features the songs “Frustrated”, “Million Ways”, and the disco-infused lead single “Different Morning” featuring Toronto rapper DijahSB. Tanika has embarked on numerous domestic and international tours since releasing Soul Run, performing in front of many thousands of fans across a dozen countries.

Website:
https://tanikacharles.com/

A Kay Meek Cabaret Presentation
McEwen Theatre

Toronto-based 2x Juno Award nominee and Soul music power house Tanika Charles has slowly but surely inserted herself as a staple of the genre both at home and abroad. Her music revels in honesty and attitude, her live show is high energy and endearing, and she continues to win audiences over one album, one stream, and one encore at a time. On April 8th, 2022 Tanika released her third album is Papillon de Nuit: The Night Butterfly. Papillon again follows Tanika’s formula of marrying classic soul influences with modern sensibilities and features the songs “Frustrated”, “Million Ways”, and the disco-infused lead single “Different Morning” featuring Toronto rapper DijahSB. Tanika has embarked on numerous domestic and international tours since releasing Soul Run, performing in front of many thousands of fans across a dozen countries.

Website:
https://tanikacharles.com/

A Kay Meek Family Presentation
Grosvenor Theatre

This celebrated performer from Vancouver, BC has created a special niche in the music world and amassed a cross-generational following. His musicality is like no other, mixing clever hooks, witty wordplay and comedy all to great effect. His accolades include SOCAN’s Best Songwriter Award, US Parents’ Choice Awards, and National Publications Parenting Awards’ Gold Award, and most recently a JUNO for his cd “Love my new Shirt.” Norman has written and recorded songs for Disney Records, Shari Lewis, CBC, Max and Ruby musical and many others. He has performed and worked with millions of people throughout North America, inspiring creativity through his songs, stories and innovative props.

www.normanfoote.com

For accessible seating please contact our box office by phone at 604.981.6335

Presented by Famous Artists Limited
Grosvenor Theatre
Doors: 6:30pm
Show: 7:30pm

The forty fifth anniversary tour of one of Western Canada’s best loved bands!

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek & Vancouver Academy of Music Symphony Orchestra Presentation
Grosvenor Theatre

Delight in this season opening concert with Stravinsky’s Firebird heralding the arrival of a new beginning. To follow, Maestro Ian Parker effortlessly takes on both roles of conductor and piano soloist with the Vancouver Academy of Music Symphony Orchestra, performing Rachmaninoff’s intense yet beloved Piano Concerto No. 2. Get your tickets now to enjoy an afternoon of thrilling music.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play and ACE Productions Presentation
McEwen Theatre

Playwright John MacLachlan Gray with Eric Peterson
Director Gerry Mackay
Stage Manager/Lighting Designer Stephen Bulat
Starring Damon Calderwood
Pianist Angus Kellett

About Billy Bishop

William Avery (Billy) Bishop (1894-1956) was Canada’s highest scoring fighter pilot of World War 1, with 72 victories. Born on Feb. 8, 1894 in Owen Sound, Ontario, Bishop attended the Royal Military College in Kingston before joining the 8th Canadian Mounted Rifles once war began in 1914. Bishop sought and received a transfer to the British Royal Flying Corps in December 1915. He eventually received his pilot’s license in 1917 flying Nieuport 17s and SE5As. He was referred to as The Lone Hawk for his preference (like Albert Ball) for solo missions. Perhaps unfortunately for a member of the RFC, he was also regarded as something of a weak pilot, suffering from a tendency to crash land his aircraft. He was awarded the Victoria Cross for a single-handed attack against the German Aerodrome at Arras on June 2, 1917 and was later awarded the Distinguished Flying Cross for the feat of scoring 25 kills within just 12 days as leader of the so-called Flying Foxes. Bishop survived the war (unlike a great many of his contemporaries) as commander of 85 Squadron. He was in fact withdrawn from active duty in June 1918 for fear that he would be shot down (with consequent ill-effect upon morale at home). The same year he published his war memoirs, Winged Warfare. After the armistice, Bishop initially traveled the U.S. giving lectures and co-founding (with fellow Canadian ace Billy Barker) a charter airline business, which went bankrupt. He eventually established himself as a successful sales director for Frontenac Oil in Canada. During World War II he served as Air Marshall with responsibility for Canadian recruitment. After the war he entered semi-retirement, later attempting to enlist (unsuccessfully) during the Korean War. He died peacefully November 9, 1956 in Florida.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play and ACE Productions Presentation
McEwen Theatre

Playwright John MacLachlan Gray with Eric Peterson
Director Gerry Mackay
Stage Manager/Lighting Designer Stephen Bulat
Starring Damon Calderwood
Pianist Angus Kellett

About Billy Bishop

William Avery (Billy) Bishop (1894-1956) was Canada’s highest scoring fighter pilot of World War 1, with 72 victories. Born on Feb. 8, 1894 in Owen Sound, Ontario, Bishop attended the Royal Military College in Kingston before joining the 8th Canadian Mounted Rifles once war began in 1914. Bishop sought and received a transfer to the British Royal Flying Corps in December 1915. He eventually received his pilot’s license in 1917 flying Nieuport 17s and SE5As. He was referred to as The Lone Hawk for his preference (like Albert Ball) for solo missions. Perhaps unfortunately for a member of the RFC, he was also regarded as something of a weak pilot, suffering from a tendency to crash land his aircraft. He was awarded the Victoria Cross for a single-handed attack against the German Aerodrome at Arras on June 2, 1917 and was later awarded the Distinguished Flying Cross for the feat of scoring 25 kills within just 12 days as leader of the so-called Flying Foxes. Bishop survived the war (unlike a great many of his contemporaries) as commander of 85 Squadron. He was in fact withdrawn from active duty in June 1918 for fear that he would be shot down (with consequent ill-effect upon morale at home). The same year he published his war memoirs, Winged Warfare. After the armistice, Bishop initially traveled the U.S. giving lectures and co-founding (with fellow Canadian ace Billy Barker) a charter airline business, which went bankrupt. He eventually established himself as a successful sales director for Frontenac Oil in Canada. During World War II he served as Air Marshall with responsibility for Canadian recruitment. After the war he entered semi-retirement, later attempting to enlist (unsuccessfully) during the Korean War. He died peacefully November 9, 1956 in Florida.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play and ACE Productions Presentation
McEwen Theatre

Playwright John MacLachlan Gray with Eric Peterson
Director Gerry Mackay
Stage Manager/Lighting Designer Stephen Bulat
Starring Damon Calderwood
Pianist Angus Kellett

About Billy Bishop

William Avery (Billy) Bishop (1894-1956) was Canada’s highest scoring fighter pilot of World War 1, with 72 victories. Born on Feb. 8, 1894 in Owen Sound, Ontario, Bishop attended the Royal Military College in Kingston before joining the 8th Canadian Mounted Rifles once war began in 1914. Bishop sought and received a transfer to the British Royal Flying Corps in December 1915. He eventually received his pilot’s license in 1917 flying Nieuport 17s and SE5As. He was referred to as The Lone Hawk for his preference (like Albert Ball) for solo missions. Perhaps unfortunately for a member of the RFC, he was also regarded as something of a weak pilot, suffering from a tendency to crash land his aircraft. He was awarded the Victoria Cross for a single-handed attack against the German Aerodrome at Arras on June 2, 1917 and was later awarded the Distinguished Flying Cross for the feat of scoring 25 kills within just 12 days as leader of the so-called Flying Foxes. Bishop survived the war (unlike a great many of his contemporaries) as commander of 85 Squadron. He was in fact withdrawn from active duty in June 1918 for fear that he would be shot down (with consequent ill-effect upon morale at home). The same year he published his war memoirs, Winged Warfare. After the armistice, Bishop initially traveled the U.S. giving lectures and co-founding (with fellow Canadian ace Billy Barker) a charter airline business, which went bankrupt. He eventually established himself as a successful sales director for Frontenac Oil in Canada. During World War II he served as Air Marshall with responsibility for Canadian recruitment. After the war he entered semi-retirement, later attempting to enlist (unsuccessfully) during the Korean War. He died peacefully November 9, 1956 in Florida.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play and ACE Productions Presentation
McEwen Theatre

Playwright John MacLachlan Gray with Eric Peterson
Director Gerry Mackay
Stage Manager/Lighting Designer Stephen Bulat
Starring Damon Calderwood
Pianist Angus Kellett

About Billy Bishop

William Avery (Billy) Bishop (1894-1956) was Canada’s highest scoring fighter pilot of World War 1, with 72 victories. Born on Feb. 8, 1894 in Owen Sound, Ontario, Bishop attended the Royal Military College in Kingston before joining the 8th Canadian Mounted Rifles once war began in 1914. Bishop sought and received a transfer to the British Royal Flying Corps in December 1915. He eventually received his pilot’s license in 1917 flying Nieuport 17s and SE5As. He was referred to as The Lone Hawk for his preference (like Albert Ball) for solo missions. Perhaps unfortunately for a member of the RFC, he was also regarded as something of a weak pilot, suffering from a tendency to crash land his aircraft. He was awarded the Victoria Cross for a single-handed attack against the German Aerodrome at Arras on June 2, 1917 and was later awarded the Distinguished Flying Cross for the feat of scoring 25 kills within just 12 days as leader of the so-called Flying Foxes. Bishop survived the war (unlike a great many of his contemporaries) as commander of 85 Squadron. He was in fact withdrawn from active duty in June 1918 for fear that he would be shot down (with consequent ill-effect upon morale at home). The same year he published his war memoirs, Winged Warfare. After the armistice, Bishop initially traveled the U.S. giving lectures and co-founding (with fellow Canadian ace Billy Barker) a charter airline business, which went bankrupt. He eventually established himself as a successful sales director for Frontenac Oil in Canada. During World War II he served as Air Marshall with responsibility for Canadian recruitment. After the war he entered semi-retirement, later attempting to enlist (unsuccessfully) during the Korean War. He died peacefully November 9, 1956 in Florida.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Play and ACE Productions Presentation
McEwen Theatre

Playwright John MacLachlan Gray with Eric Peterson
Director Gerry Mackay
Stage Manager/Lighting Designer Stephen Bulat
Starring Damon Calderwood
Pianist Angus Kellett

About Billy Bishop

William Avery (Billy) Bishop (1894-1956) was Canada’s highest scoring fighter pilot of World War 1, with 72 victories. Born on Feb. 8, 1894 in Owen Sound, Ontario, Bishop attended the Royal Military College in Kingston before joining the 8th Canadian Mounted Rifles once war began in 1914. Bishop sought and received a transfer to the British Royal Flying Corps in December 1915. He eventually received his pilot’s license in 1917 flying Nieuport 17s and SE5As. He was referred to as The Lone Hawk for his preference (like Albert Ball) for solo missions. Perhaps unfortunately for a member of the RFC, he was also regarded as something of a weak pilot, suffering from a tendency to crash land his aircraft. He was awarded the Victoria Cross for a single-handed attack against the German Aerodrome at Arras on June 2, 1917 and was later awarded the Distinguished Flying Cross for the feat of scoring 25 kills within just 12 days as leader of the so-called Flying Foxes. Bishop survived the war (unlike a great many of his contemporaries) as commander of 85 Squadron. He was in fact withdrawn from active duty in June 1918 for fear that he would be shot down (with consequent ill-effect upon morale at home). The same year he published his war memoirs, Winged Warfare. After the armistice, Bishop initially traveled the U.S. giving lectures and co-founding (with fellow Canadian ace Billy Barker) a charter airline business, which went bankrupt. He eventually established himself as a successful sales director for Frontenac Oil in Canada. During World War II he served as Air Marshall with responsibility for Canadian recruitment. After the war he entered semi-retirement, later attempting to enlist (unsuccessfully) during the Korean War. He died peacefully November 9, 1956 in Florida.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Amplify Presentation
Grosvenor Theatre

MAKING CRITICALLY ACCLAIMED MUSIC FOR 30 YEARS.

When you think of Canadian music, who are the first contemporary artists that come to mind?

Is it a globe-touring sextet that, in a single set, can be counted on to stomp through Celtic reels, traditional Mexican folk, fiddle tunes, New Orleans brass band music, classic pop songcraft, bluegrass, and even a philosophical waltz or two, before bringing it all home with a Latino/West African singalong?

I didn’t think so.

Is it a fearless, freewheeling band sometimes referred to as the “Los Lobos of Canada,” veterans of an estimated 4,300 shows since the band’s 1992 formation?

What if I told you that this band doesn’t just exist—they flourish, and have been converting full concert halls of indifferent strangers into devoted fans for the last 30 years?

The name of this musical collective is The Paperboys. They are a Canadian treasure.

The heart of The Paperboys is a trio of gifted songwriters and musicians: Founder Tom Landa, a fedora-hatted vocalist/guitarist/bandleader who immigrated from Mexico to Canada in his teens; Kalissa Landa, a lifelong fiddler/vocalist with a preternatural command of melody; and Spirit of the West’s flautist/guitarist/vocalist Geoffrey Kelly, already a Canadian musical icon when he hopped on the P’boys bus in 1997.

Though by no means a jam band, The Paperboys reinvent their show every time they step onstage. Once the band agrees on the opening song, there is no set list. The song finishes, the crowd reacts, Landa reads the room, and the journey begins. Every night. The world has changed seismically since 1992, but The Paperboys fan base has stuck with the band, and grown.

“It goes beyond perseverance,” Landa says about the band’s legacy, “and into some kind of connectivity and resonance we have with people. We’ve created a community.”

Though best known for their live show, The Paperboys also have another ace up their sleeve: A deep and impressive discography. The band has released 10 recordings—including the Juno Award-winning Molinos—receiving accolades from MOJO Magazine and Roots Magazine along the way. They’ve been two-time recipients of the West Coast Music Award, composed scores for two films, and been nominated for a Leo Award for best original song in the Hong Kong/Canada film release, Lunch With Charles.

Although perennially adored and praised by alternative media and national radio networks NPR and CBC, commercial success has eluded the band. Undaunted, The Paperboys have kept in perpetual motion, building a cult following through the impact of its incendiary live show and proud DIY spirit.

Even the pandemic couldn’t silence The Paperboys. Tom and Kalissa maintained a warm connection with their homebound fans by posting their now-legendary Slipper Sessions online, playing gorgeous, stripped-down versions of their repertoire, with their kids and cats sometimes wandering through the margins of the videos.

“There are many ways to define success,” Landa says. “ I get to make music with people I love, tour and see the world, and connect with people through song. I can hang my hat on that.”

THE PAPERBOYS

Mexican Son Jarocho mixed in with Irish Jigs and Reels and a good dose of Country and Bluegrass. It has healthy servings of Ska, Soca and African Highlife and we’ve been known to throw in a little White Boy Reggae. Of course it also has strains of Soul, Pop and Funk although we are by no means a funk band. It is mostly Acoustic although we also like Electric guitars. It is Singer-Songwriter based but not the coffee house variety. It is definitely FOLK music, but not in the Kumbaya style. It has a deep respect and appreciation for tradition (Bluegrass, Old Time, Celtic, Son) but it’s by no means Traditional. It Rocks incredibly hard and is extremely danceable, but that is not to say it can’t be mellow and slow and beautiful. It can be heart breaking, but also joyous. It is never dark or angst ridden, and always full of hope – but not in the ‘Up With People’ kind of way. It’s not Jazz, although we like Jazz a lot. It’s not heavy metal or punk or grunge, although we love Rush and AC/DC. It is World Roots Music. It’s POP music. It is GOOD music. It has a tendency to connect people and means a lot to many folks the world over, and for that we are very grateful. It is the only multi-cultural, multi-ethnic, multi-generational, multi-lingual, multi-instrumental, genre bending, co-ed band you will hear today!!

https://paperboys.com/home

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Special Presentation with Early Music Vancouver
Grosvenor Theatre

Artists: Homayoun Sakhi, Shashank Subramaniam, Hamin Honari and Kiya Tabassian

The Golden Road takes us on the sublime and sophisticated musical roads of ancient civilizations. Three music masters from Afghanistan, India and Iran come together to transcend the ancestral melodies from these rich and influential cultures. These three musical traditions have always evolved in a relationship of confluence and exchange, but have rarely been heard side by side. The great ambassador of Afghan music Homayoun Sakh, an incomparable virtuoso of the rubab lute, is with Maestro Shashank, hailed one of the best Bamboo Flute artists by the Indian and international media. They are joined by Kiya Tabassian, virtuoso of another emblematic lute, the setar, and their performances will be enriched and accompanied by the dazzling playing of the percussionist Hamin Honari on tombak & daf.

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek and Vancouver Chamber Music Society Co-Presentation
Grosvenor Theatre

Introducing the Vancouver Cello Quartet and guest artist Nathan Chan, an exceptional cellist! Prepare to be captivated by their extraordinary talent and mesmerizing performance. The Vancouver Cello Quartet is a group of four accomplished cellists who have taken the classical music scene by storm. Lee Duckles, Luke Kim, Cristian Márkos, and Kevin Park’s unique and innovative approach to music have created a truly captivating and immersive experience for audiences across the Lower Mainland. The quartet’s seamless blend of virtuosity, passion, and ensemble playing has garnered them a dedicated following.

Joining the quartet is Nathan Chan, praised for his “profound technical gift and… his mastery of musical narrative.” His multifaceted cello career encompasses solo, chamber music, and orchestral performance, fueled by a passion for connecting people through music and technology. He currently serves as the Assistant Principal Cello of the Seattle Symphony.

Together the Vancouver Cello Quartet and Nathan Chan deliver an unforgettable musical experience. Enjoy the fullness of an orchestra in a breathtaking concerto with only the lush timbre of the cello. Don’t miss the opportunity to witness the Vancouver Cello Quartet and Nathan Chan passionately explore the possibilities of the cello to new heights.

NATHAN CHAN

Nathan Chan’s multifaceted cello career encompasses solo, chamber music, and orchestral performance, fueled by a passion for connecting people through music and technology. With over 25 million online views, he has performed with renowned orchestras, including the San Francisco Symphony and The Royal Philharmonic, and participated in the Marlboro Music Festival, where he collaborated with Mitsuko Uchida and Anthony McGill, and Fondation Louis Vuitton’s Classe d’Excellence du Violoncelle with Gautier Capuçon. The San Francisco Chronicle’s Joshua Kosman praised his “profound technical gift and… his mastery of musical narrative.” Nathan studied Economics at Columbia University and earned his Masters of Music with Richard Aaron at The Juilliard School. He now serves as the Assistant Principal Cello of the Seattle Symphony. Visit nathanchan.com to learn more.

VANCOUVER CELLO QUARTET

Formed in 2012, The Vancouver Cello Quartet is composed of four dedicated professionals who perform original works and arrangements for cellos.

This ensemble of classically trained players celebrates the unequaled sound of four cellos. Since their acclaimed debut, the Quartet has quickly won the hearts of music lovers through their performances of staples of the classical music repertoire as well as contemporary and popular works, all of which showcase the limitless possibilities of the instrument they love.

The mission of the Vancouver Cello Quartet is to create an eclectic mix of repertoire for every concert, shaping the program according to each venue’s interests while maintaining our commitment to musical diversity.

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Speaker Presentation
Speaker: Michael van den Bos
McEwen Theatre

In the pantheon of preeminent 20th-century pop vocalists, one name remains king of the hill, top of the heap: FRANK SINATRA. With his ability to easily swivel between swinging songs of rapturous romance and living large to the moody blues of love lost and existential ennui, Sinatra mastered the art of lyrical expression . . . and he was an excellent Academy Award-winning actor, too! In this presentation, classic film scholar MICHAEL VAN DEN BOS (the biggest “Old Blue Eyes” fan you’ll likely meet) offers a ring-a-ding ding review of the Sinatra style. Featuring curated clips of “The Chairman of the Board” performing in classic films and vintage television shows that reinforce what Dean Martin said about his buddy: “It’s Frank’s world; we just live in it.”

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Cabaret Presentation
McEwen Theatre

Emerging Vancouver jazz vocalist Jeremy Wong already “ranks high among male jazz singers” (Scott Yanow, LA Jazz Scene). He brings his warm, friendly voice and a veteran quartet to the North Shore for an evening of swinging standards, lyrical ballads, and original vocalese. Jeremy is joined by mainstays of the Vancouver jazz scene: pianist Chris Gestrin, bassist André Lachance, and drummer Jesse Cahill.

https://jeremywongvocals.com/home

A Kay Meek Cabaret Presentation
McEwen Theatre

Emerging Vancouver jazz vocalist Jeremy Wong already “ranks high among male jazz singers” (Scott Yanow, LA Jazz Scene). He brings his warm, friendly voice and a veteran quartet to the North Shore for an evening of swinging standards, lyrical ballads, and original vocalese. Jeremy is joined by mainstays of the Vancouver jazz scene: pianist Chris Gestrin, bassist André Lachance, and drummer Jesse Cahill.

https://jeremywongvocals.com/home

Presented by Raskin School of Music
McEwen Theatre

🎄 Unwrap the Magic of the Season at Kay Meek Arts Centre! 🎉

Get ready for a mesmerizing celebration as we present an enchanting Christmas and New Year concert like no other. Join us for an unforgettable evening of music, artistry, and joy, brought to you by an extraordinary lineup of talent.

🎶 Featuring Alina Raskin, this night is destined to be brimming with delightful music that will leave you both amazed and uplifted. 🎶

Experience the ethereal melodies of extraordinary artist, singer, and songwriter Victoria Raskin, as she takes you on a musical journey that transcends time and culture. Be transported by the enchanting piano performances of Tatiana Tyuleneva, a pianist and accompanist whose skillful touch adds depth to every note.

Our carefully curated repertoire spans across genres and eras, with songs by Caccini, Komitas, Gershwin, Dunaevsky, Babajanyan, Aznavour, and Tariverdiev. But that’s not all! Brace yourself for an exclusive unveiling of Victoria Raskin’s newest original compositions, promising a fresh and contemporary experience that resonates with the essence of today.

Prepare to be dazzled as our talented dancers intertwine movement with music, breathing life into each melody. The stage will come alive with multimedia effects that add a touch of visual enchantment to the already magical atmosphere.

Set against the stunning backdrop of Kay Meek Arts Centre, this concert is a celebration of the spirit of the season, a fusion of talent, creativity, and tradition that promises to leave you inspired and uplifted. 🌟

Mark your calendars for a night of musical splendor that you won’t want to miss. Get your tickets now and join us for a festive experience that will fill your heart with joy and your soul with the magic of the holidays. 🎄🎁🎶

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek and Vetta Chamber Music Co-Presentation
Grosvenor Theatre

With the Support of West Vancouver Foundation, Music Matters Fund

The vivaciousness of Vetta’s all-woman string ensemble has delighted audiences for several years. The knowledge and artistry of some of the best chamber musicians in BC, combined with the dynamism and youthful vigor of young professional emerging artists has created a scintillating crucible in which music making comes alive like never before. Prepare to be wowed with this group as they perform three stunning masterpieces for unconducted string orchestra by Mozart, Bartók and Dvořák!

W.A. Mozart        Divertimento in D major, K 136

Béla Bartók          Divertimento for String Orchestra

Antonin Dvořák   Serenade for Strings in E major

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek Special Presentation and Early Music Vancouver Production
Grosvenor Theatre

Artists:
The Vancouver Chamber Choir & The Pacific Baroque Orchestra with soprano Sherezade Panthaki, alto Allyson McHardy, tenor Nicholas Scott, and bass Jonathan Adams, conducted by Alexander Weimann

In this Messiah production shepherded by Alexander Weimann, the Vancouver Chamber Choir, the outstanding soloists and the Pacific Baroque Orchestra embark on an inspired spiritual and artistic journey toward a new, vibrant way of unlocking Handel’s most masterful work. “Even after having conducted this piece a few dozen times, and having played it some hundred times earlier, I am still puzzled how conclusive and coherent it comes to live in performance. It does not have a narrative as we would find in other oratorios, at least not at the surface, and the form is quite unusual. It feels like a novel whose protagonist we never directly meet, but carefully and gently approach through a sequence of portrayals and depictions of their birth, life, suffering, death and legacy, and what all that means to us. In my years of knowing the piece, I have found the Messiah a sacred, but not exclusively religious subject, rather the account of a universal and inclusive human quest.” (Alexander Weimann, March 2023)

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek Special Presentation with musica intima
McEwen Theatre

Founded in 1992, musica intima is a collaborative and conductor-less vocal ensemble which has championed Canadian music on stages around the world, and garnered a Western Canadian Music Award and three JUNO Award nominations across ten commercially released albums. Their most recent collaboration with Cree composer Andrew Balfour, NAGAMO, seeks to forge a new path towards the decolonization of the choral arts. www.musicaintima.org

Come in from the cold to spend an evening ‘In Winter’s House’ with vocal ensemble musica intima. Centering around Indian-American composer Reena Esmail’s ‘A Winter Breviary,’ the program traces a journey towards the longest night of the year, the solstice, and honours the dark while celebrating the return of the light.

Through music of Sherryl Sewepagaham, Juhi Bansal, Joanna Marsh, and the late Jocelyn Morlock – and arrangements of familiar tunes by Joanna Forbes, Canadian folk trio The O’Pears, Trombone Shorty, and ensemble members – the ensemble will welcome the dawning light to illumine the darkness. Known for their thoughtful programming and flawless execution, the voices of musica intima will warm your heart.

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek & Vancouver Academy of Music Symphony Orchestra Presentation
Grosvenor Theatre

Join the Vancouver Academy of Music Symphony Orchestra, under the baton of Maestro Ian Parker, for an extraordinary concert experience that traverses the realms of holiday cheer and classical brilliance. This seasonal enchantment showcases the iconic music of Albert Hague’s beloved holiday classic, How the Grinch Stole Christmas, followed by Vivaldi’s timeless masterpiece, The Four Seasons. Immerse yourself in a captivating journey through contrasting musical landscapes that celebrate both the whimsical and the profound. Don’t miss this delightful fusion of yuletide merriment and virtuosic artistry!

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Cabaret Presentation
McEwen Theatre

Van Django is a Vancouver based string swing jazz quartet whose music is well-rooted in the gypsy jazz of 1930’s Paris, France. The band also composes their own original music in the style as well as mashups of popular music mixing jazz, pop and classical music together. Since the group’s formation in 1998, they have toured extensively in Canada as well as international forays to the US, Europe and China.

The group has had repeat performances at Djangofest Northwest (DFNW) in 2008-2016 sharing the stage with gypsy jazz luminaries such as the John Jorgenson Quintet, the legendary gypsy jazz guitarist Romane and many others.

The group have released 4 CD’s: “Tiptoe Trip”, “Waltz in the Shape of a Tree”, “Hotel Europe” and a Christmas CD with special guests titled, “Cool Yule”. They have been well received and played on many radio stations including; CBC, RDI, Espace Musique, NPR and Lyric FM in Ireland CD.

Violin / Cameron Wilson
Guitar / Budge Schachte
Guitar & Cello / Finn Manniche
Bass / Brent Gubbels

https://www.vandjango.com/

A Kay Meek Cabaret Presentation
McEwen Theatre

Van Django is a Vancouver based string swing jazz quartet whose music is well-rooted in the gypsy jazz of 1930’s Paris, France. The band also composes their own original music in the style as well as mashups of popular music mixing jazz, pop and classical music together. Since the group’s formation in 1998, they have toured extensively in Canada as well as international forays to the US, Europe and China.

The group has had repeat performances at Djangofest Northwest (DFNW) in 2008-2016 sharing the stage with gypsy jazz luminaries such as the John Jorgenson Quintet, the legendary gypsy jazz guitarist Romane and many others.

The group have released 4 CD’s: “Tiptoe Trip”, “Waltz in the Shape of a Tree”, “Hotel Europe” and a Christmas CD with special guests titled, “Cool Yule”. They have been well received and played on many radio stations including; CBC, RDI, Espace Musique, NPR and Lyric FM in Ireland CD.

Violin / Cameron Wilson
Guitar / Budge Schachte
Guitar & Cello / Finn Manniche
Bass / Brent Gubbels

https://www.vandjango.com/

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Play Series Presentation and A Leather and Lace Theatre Production
McEwen Theatre

Performance Sponsor: Margaret & Jamie Corbett

When Annie’s husband John dies of leukemia, she and her long-standing best friend Chris resolve to raise money for a new settee in the local hospital waiting room. With varying levels of encouragement, they persuade four friends and fellow members of the Women’s Institute (W.I.) to pose nude with them for an “alternative” calendar. They are assisted by hospital porter and amateur photographer Lawrence, who looked after John in his final days. This is much to the horror of their local W.I. chairman, Marie. The success of the calendar goes beyond their wildest dreams and they have soon raised the money needed and much more. Their efforts also catch the attention of the national and international press, who soon descend on the small village of Knapely in the Yorkshire Dales. Although the calendar is a huge success, Chris and Annie’s friendship is put to the test with their new-found fame and Chris is forced to question her real motivation behind doing the calendar. Tim Firth’s hilarious play is based on the true story of eleven W.I. members who famously posed nude for a calendar to raise money for the Leukaemia Research Fund in 1999.

About Leather and Lace Theatre:

Leather and Lace Theatre is a Vancouver Theatre Company founded in 2020 by Sarah Harlow and Victoria Parsley with the aim of producing entertaining and thought-provoking works. In choosing plays to be produced, Sarah Harlow, Artistic Director of the company, looks for plays with strong female characters. She has successfully produced The Tyler Sisters as well as Calendar Girls and is anxiously looking forward to further productions.

A Kay Meek Classical Presentation
Grosvenor Theatre

Program:
Brahms, Clarinet Quintet in B minor, Op. 115

C. Schumann, Piano Trio in G minor, Op. 17

R. Schumann, Piano Quintet in Eb Major, Op. 44

Robert Schumann attempted suicide and spent the last two years of his life in an asylum. Upon hearing this news, Brahms (earlier visited with the Schumanns 5 months prior and wowed the Schummans with his talent and genius) rushed to aid Clara Schumann sort out R. Schumann’s matters and look after the children. Clara and Brahms developed a close relationship but ultimately remained good friends for the rest of their lives.

https://houstonsymphony.org/musical-love-triangle-brahms-the-schumanns/

Performers:
John Marcus – violin

David Lakirovich – violin

Jacob van der Sloot – viola

Joseph Elworthy – cello

Ian Parker – piano

AK Coope – clarinet

For accessible seats, please contact our box office at 604-981-6335

A Kay Meek Amplify Presentation
Grosvenor Theatre

”The real thing, people.” -Billboard

Martin Sexton returns with what RollingStone calls his “soul-marinated voice,” acoustic guitar, and a suitcase full of heartfelt songs. The 2023 Tour takes Martin across North America in support of his latest ep 2020 Vision (produced by 3-time Grammy nominee John Alagia (Lukas Nelson, John Mayer, Dave Matthews) as well as reinventing his own classics for these critically-acclaimed solo Performances.

Still fiercely independent and headlining venues from The Fillmore to Carnegie Hall, he has influenced a generation of contemporary artists. His songs have appeared in television series such as Scrubs, Parenthood, Masters of Sex, Sprung, and in numerous films, though it’s his incendiary live show, honest lyrics, and vocal prowess that keep fans coming back for a new experience every time.

MartinSexton.com

Fb: officialmartinsexton

Insta: martinsexton

Twitter: martin_sexton

For accessible seating please contact our box office by phone at 604.981.6335

A Kay Meek Family Presentation
A Théâtre des Confettis creation
McEwen Theatre

A tall man is dreaming of the sea. He makes sand appear, then turtles, seagulls and fish, and then dune grass, the sky, boats and time that passes. The man doesn’t know how to wait… He becomes a treasure that waits.

Conception and direction: Véronique Côté

Artistic direction: Hélène Blanchard and Judith Savard

Set, costumes, props and lighting: Erica Schmitz

Original music: Josué Beaucage

Music and lyrics of the song Juste beaux: Josué Beaucage

Cast: Guy Daniel Tremblay and Frédéric Brunet

Stage Manager : Valérie Côté

“Wow! We had no idea what an extraordinary experience we were going to have. The show was simply magical. Every one of us was mesmerized and uplifted, teachers and children included… It was a joy to see theatre that spoke to children’s capacity to enjoy quiet, magical and fanciful experiences.”

-Sara Edlin, Teacher, New York City

A Kay Meek Family Presentation
A Théâtre des Confettis creation
McEwen Theatre

A tall man is dreaming of the sea. He makes sand appear, then turtles, seagulls and fish, and then dune grass, the sky, boats and time that passes. The man doesn’t know how to wait… He becomes a treasure that waits.

Conception and direction: Véronique Côté

Artistic direction: Hélène Blanchard and Judith Savard

Set, costumes, props and lighting: Erica Schmitz

Original music: Josué Beaucage

Music and lyrics of the song Juste beaux: Josué Beaucage

Cast: Guy Daniel Tremblay and Frédéric Brunet

Stage Manager : Valérie Côté

“Wow! We had no idea what an extraordinary experience we were going to have. The show was simply magical. Every one of us was mesmerized and uplifted, teachers and children included… It was a joy to see theatre that spoke to children’s capacity to enjoy quiet, magical and fanciful experiences.”

-Sara Edlin, Teacher, New York City

A Kay Meek Family Presentation
A Théâtre des Confettis creation
McEwen Theatre

A tall man is dreaming of the sea. He makes sand appear, then turtles, seagulls and fish, and then dune grass, the sky, boats and time that passes. The man doesn’t know how to wait… He becomes a treasure that waits.

Conception and direction: Véronique Côté

Artistic direction: Hélène Blanchard and Judith Savard

Set, costumes, props and lighting: Erica Schmitz

Original music: Josué Beaucage

Music and lyrics of the song Juste beaux: Josué Beaucage

Cast: Guy Daniel Tremblay and Frédéric Brunet

Stage Manager : Valérie Côté

“Wow! We had no idea what an extraordinary experience we were going to have. The show was simply magical. Every one of us was mesmerized and uplifted, teachers and children included… It was a joy to see theatre that spoke to children’s capacity to enjoy quiet, magical and fanciful experiences.”

-Sara Edlin, Teacher, New York City

A Kay Meek Family Presentation
A Théâtre des Confettis creation
McEwen Theatre

A tall man is dreaming of the sea. He makes sand appear, then turtles, seagulls and fish, and then dune grass, the sky, boats and time that passes. The man doesn’t know how to wait… He becomes a treasure that waits.

Conception and direction: Véronique Côté

Artistic direction: Hélène Blanchard and Judith Savard

Set, costumes, props and lighting: Erica Schmitz

Original music: Josué Beaucage

Music and lyrics of the song Juste beaux: Josué Beaucage

Cast: Guy Daniel Tremblay and Frédéric Brunet

Stage Manager : Valérie Côté

“Wow! We had no idea what an extraordinary experience we were going to have. The show was simply magical. Every one of us was mesmerized and uplifted, teachers and children included… It was a joy to see theatre that spoke to children’s capacity to enjoy quiet, magical and fanciful experiences.”

-Sara Edlin, Teacher, New York City